Latest video at the New Statesman: At Saturday’s Progressive London conference, I caught up with comedian Josie Long and Mehdi Hasan, the NS’s political editor, and listened to Unite’s Len McKluskey and False Economy‘s Clifford Singer, plus ukuncut activists take on Barclays Bank and South London celebrates a Carnival Against the Cuts.
Watch it here
Additional filming by Kaveh Abassian and Philippa Daniel. Philippa’s own video of the Carnival Against the Cuts is here.
The repercussions of the cuts in Higher Education are being felt in Bristol, where lecturers at the University of the West of England (UWE) have been forced to take strike action over threats to staffing. Here I report on the strike and find out what students who supported it think about the situation. See the video here.
In On Campus, Terry Eagleton speaks at a meeting at the London School of Economics about the contradiction between education for society and education for the economy. South of the river, the Vice Chancellor of Roehampton University, Paul O’Prey, considers the implications of government measures with colleagues.
With Terry Eagleton, Paul O’Prey, Joe Kelleher, Nina Power, Laurie Penny and Ruby Hirsch.
For the last few weeks I’ve been out and about filming moments in the developing protest movement against the unconscionable coalition government and its programme of swingeing cuts in every department of social provision. The result has been a number of short videos posted here on Putney Debater. I’ve now been invited by the New Statesman to become its first video blogger, so from now on, that’s where my videos will be posted first (although I’ll continue to post written blogs here). Here’s the first one, which condenses the videos posted here previously with some additional material.
The idea I have is to build up a picture of the movement as it evolves, so I’m working on the basis that I’ll end up with a documentary record of three or four months of struggle. The method is simple: to return to Glauber Rocha’s formula for Cinema Novo in Brazil—to go and make films with a camera in the hand and an idea in the head. (Too simple for the section on methodology in a grant application, and there’s no time for that anyway, so I’m not making one.)
14 January 2011, Bank of England
Report on Netroots UK, 8 January 2011
It’s a very curious moment. The first phase of the new youth rebellion (for there will soon be another) is winding down, the whole country is frozen over, yesterday’s snow lies on the ground, and here in Putney—like the days after the Icelandic volcano—no planes in the sky under the flight path into Heathrow. In short, blissfully quiet. But the silence is deceptive. Continue reading
The last few weeks have seen a new spate of agitational web videos, accompanying the amazing upturn of politicking in Britain in response to the brutal, ill-considered and philistine cuts proposed by the coalition government which took office last May. Continue reading
With Memories of Overdevelopment the young Cuba film-maker Miguel Coyula has made a remarkable sequel to one of the classic films of the Cuban Revolution, Memories of Underdevelopment by Tomás Gutiérrez Alea. Intriguingly, the new film, like the old, is based on a novel by the Cuban author Edmundo Desnoes—who settled in New York after quitting Cuba in 1979—which itself is a sequel to the first novel. Coyula himself is one of the new wave of independent Cuban film-makers, born in Havana in 1977, graduate of Cuba’s international film school in San Antonio de los Baños, who went to show his highly experimental digital shorts in New York in 1999, where he was offered an acting scholarship and stayed. This would seem to place him closer to Desnoes than Alea, who remained in Cuba where he died in 1996, but it’s still surprising: an avant garde film by a 33-year-old in collaboration with an eminance grise of 80.
Showing at Riverside Studios, Monday 22 Nov 2010